UNADILLA—The Unadilla Memorial Day/Decoration Day ceremony will be led by Deacon Joseph DeGeorgio at Unadilla Village Hall at 10:30 a.m. on May 29. It will begin with a wreath-laying ceremony at the Veterans Monument on Main Street, followed by a parade to Saint Matthew’s Church Cemetery. Later in the day, there will be additional services at Evergreen Hill Cemetery. A wreath for those who died at sea will be dropped from the I-88 bridge. All veterans are invited to march in the parade. No uniforms are required.
Dance School Announces Classes
WEST BURLINGTON—The Otsego School of Dance and Performing Arts announced its summer program of week-long instructional day camps and group, solo, duo and trio classes. For more information or to register, visit https://otsegodance.com/. The dance school is located at 5364 State Highway 51 in West Burlington.
I think we can all share in my excitement and new-found appreciation for the growing arts community that surrounds us all. As the executive director of the Catskill Symphony Orchestra, I have been blown away by the dedication and enthusiasm that our board, staff, volunteers, musicians, and community partners put into this effort every single day.
The CSO has been around for almost 70 years, and we are proud to be a part of the fabric of this community. I’m sure that many don’t realize that: 1) yes, we have been here for 70 years, and; 2) we employ an average of 50 musicians every concert, all of whom live, work, and shop here in our community. We provide educational opportunities for young people through our annual collaboration with BOCES and we are able to offer free tickets to all students (and their parents!) thanks to an anonymous donor.
Fenimore Chamber Orchestra made an eagerly anticipated, not to say brilliant, return to Christ Church in Cooperstown on March 18. In all aspects, this was another virtuoso concert program that the public has already come to expect.
The story of Don Juan and his just deserts was the thread that brought together the entire program. The concert began with Gluck’s ballet, “Don Juan,” and immediately got to the rather sardonic situation. This orchestra, under the leadership of Maestro Maciej Żółtowski, played sumptuously and offered brilliant cascades of string and woodwind playing. The strings played as one unifying voice and the winds offered the color to bring the story alive. The swaggering overture preceded a much-needed idyllic episode with atmospheric and elegant playing from oboist Susan Kokernak.
The current season of Fenimore Chamber Orchestra continues with a program titled “Powdered Wigs,” to be performed at Christ Church on March 18 at 3 p.m. Graphic provided
Fenimore Chamber Orchestra produced three programs in 2022. They’ve been working hard all winter to bring the community new productions in 2023.
“Much has happened since our first concerts,” said Thomas Wolf, chair of the FCO Board of Directors. “The incredible success we have enjoyed is truly amazing, especially given the whole idea of starting a new orchestra during a worldwide pandemic.”
By T. STEPHEN WAGER COOPERSTOWN – In its third appearance at Christ Church, Fenimore Chamber Orchestra offered a brilliant beginning to the holiday season with “Festive Strings.” Before the December 3 concert began, Thomas Wolf—founder and chair of the orchestra’s governing board—paid a touching tribute to all those present who have helped in the success of the orchestra. The concert itself began with one of the most daunting and demanding works for a string orchestra that Mozart ever composed.
The Divertimento in D Major, K 136 absolutely requires nothing less than a virtuoso ensemble and was dispatched with breathtaking ease. The andante middle section treated the audience to a warm and relaxed breath before a return to the almost impossible to execute Presto (and I do mean Presto) that Mozart demands. It is more than evident that an esprit de corps exists in Fenimore Chamber Orchestra from the conductor through to all members of the orchestra.
COOPERSTOWN – The recent, and almost sudden, appearance of Fenimore Chamber Orchestra on the scene in Cooperstown certainly has garnered salvos from every area. Needless to say, Maestro Żołtówski’s rich international background has brought about an extraordinary fabric of different styles and the ease in which those styles are communicated via conducting.
When asked who provided him with the greatest influence, without any hesitation, Maestro Żołtówski replied, “Krzysztof Penderecki. When I met him for the first time, I must say I was in awe of this man. After all, by that time he was already a living legend. On one occasion, I can hear him as if it were yesterday, he told me to never let go of my artistic vision and never give up!”
The recent performances by the Fenimore Chamber Orchestra on October 8 at Christ Church in Cooperstown featured the winds section of the orchestra and revealed some rarely heard and as well as some well-known works.
This balance between the rare and well-known seems already an established norm for this very stylish orchestra. The beginning of the concert brought two complete rarities. The Italian opera composer Gaetano Donizetti, far better known for his late 37 operas than any of his orchestral pieces, composed his “Sinfonia for Winds” when he was only 17 years old and a student in Bologna.
The Fenimore Chamber Orchestra performed its inaugural concert at Cooperstown’s Christ Church on August 27, and it was a huge success. Now they are gearing up for another concert at the same location on Saturday, October 8.
“When we all have time to actually sit and think about what happened in August, we are proud of the work we did and the exceptionally high quality of the performances,” said Thomas Wolf, chair of the Governing Board of Directors of Fenimore Chamber Orchestra.
“When an organization begins, there is much work that continually presents itself, so we really have had little time to think of the ramification of that debut; in other words, the work continues.”
Maestro Maciej Żółtowski with members of Fenimore Chamber Orchestra
In these days when so much strife is to be found seemingly everywhere in the world, the genesis of any new orchestra is a unifying element to the human spirit. This was how Thomas Wolf described it on August 27 during the opening celebrations of Fenimore Chamber Orchestra at its debut concert.
Mr. Wolf is Chair of the Governing Board of Directors. Certainly, many in the capacity audience at historic and beautiful Christ Church in Cooperstown must have felt the same. A sense of wonderment at the fact that Fenimore Chamber Orchestra was founded during a pandemic also pervaded the afternoon. This is no small feat considering many musical organizations folded during the pandemic. It is, much to the contrary, a tribute to the vision and tenacity of Mr. Wolf, Director of Operations Rosemary Summers and Maestro Zoltowski, not to mention the Governing Board of Directors.
Rosemary Summers brings a lot of experience to the new Fenimore Chamber Orchestra.
“I actually got my start in the music business with the Catskill Symphony Orchestra and the Catskill Conservatory back in the 70s,” Ms. Summers, Chief Operations Officer of the new orchestra said.
“Everything that is involved in the physical production of a concert is what I am in charge of. Hiring the appropriate musicians, securing the venue, providing the sheet music for everyone…chairs, stands lights, front of house, ticketing ushers…that’s what I’m in charge of.”
“That was back in the 70s. I was a student of Carleton Clay, the founder of the Conservatory. He offered me a job and taught me how to be a music copyist. Chuck Schnieder saw my work and he asked me to be a copyist as well for Catskill Symphony.”
“I am still the Music Director at Catskill Symphony Orchestra and am now the Music Director at Fenimore Chamber Orchestra!”, he said. “It’s not unusual to be music director for two or three companies. I remember my first meeting with Thomas Wolf, Executive Director, and we developed a fruitful relationship. It just all grew from there.“
“In every organization, the music director is always the conductor of the orchestras that we are talking about. This works for me because my idea is to fill the seasons to compliment our concerts so we can provide the audiences in the area with a full season of symphonic concerts, chamber concerts, of different character that don’t conflict with each other. They are completely different types of music being presented,” Mr. Żółtowski said.
Thomas Wolf, Fenimore Chamber Orchestra’s governing board Chair
Talk only for a few minutes with Thomas Wolf and one realizes this is a person who does nothing by half measure – even an idea in the middle of a global pandemic with two like-minded friends to found a chamber orchestra with a home base in Cooperstown.
After two years of the grunt work – filing as a corporation in New York, forming a 501(c)(3), gathering a board of directors, securing the funding needed to begin, and finding a suitable venue – the Fenimore Chamber Orchestra is preparing its inaugural concert at Christ Church in Cooperstown on August 27. Not just a culmination of logistical preparation, the concert is the beginning of what Mr. Wolf anticipates will be a resounding cultural success adding to the region’s artistic palette.
The trio brings international talent to the task: Mr. Wolf, himself an opera and concert performer in Europe and with 25 years in arts administration, serves as the chair of the orchestra’s governing board. His co-founders are Chief Operations Officer Rosemary Summers, for 25 years James Levine’s private librarian at the Metropolitan Opera, and Music Director Maciezj Zoltowski, a world-renowned conductor of many festival orchestras across Europe.
“The three of us had converged up here,” Mr. Wolf recalled. “Rosemary and I were talking on the phone a year ago February about what we could do now that we’re all here. We said at the same time, ‘we must found our own orchestra!”
“We identified a need and have answered that need for the community at large in presenting orchestral performances at the highest artistic and professional level,” he said. “We knew the pandemic would ease. Many arts institutions closed their doors and musicians lost their livelihood during the pandemic, and yet here we are founding our own chamber orchestra. People we’ve spoken to in Cooperstown say it would be a perfect idea.”
