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Dedication, invention, perseverance lead to a
surprising, happy ending for the Fenimore Cooper murals

Photo by Charles Seton: Leaving the Trapper (from The Prairie, painted by Albert Crutcher 8’x8’ )

[Editor’s note: We’ve been following the story of the James Fenimore Cooper murals in Mamaroneck doomed to a future hidden from view or lost forever to school reconstruction. There’s good news to report this week, and we asked Carol Bradshaw Akin, Board Member and former President of the Mamaroneck Historical Society, to give us a first-person, on-the-ground report. It’s a wonderful story with a happy ending — something nice for a change — and a real connection between Otsego and Westchester counties. Thank you, Carol!]

There’s good news to report, thanks to the superhuman efforts of the Co-Presidents of the Mamaroneck Historical Society, John Pritts and Gail Boyle, who turned their lives inside out for the past two-plus months to save eight murals of James Fenimore Cooper’s scenes from “Leatherstocking Tales” painted 81 years ago. Ninth grade classes at Mamaroneck Junior High fund-raised from 1936 to 1941, then hired artists from Yale Art School, one of whom, Mimi Jennawine, was a Mamaroneck High graduate. Her other works include a painting in the Smithsonian — and most all of the other muralists went on to become prominent artists.

With GoFundMe contributions, and a couple of generous large donors, the figure needed was reached, and John and Gail began. They threw themselves into this almost impossible task, researching information, and contacts, searching for mural-removal companies (found one), hired an art conservator, wrote and followed up on hundreds of emails, spent hours and days on phone calls, tried (in vain) to be in touch with the School Board and Superintendent, (eventually found the school’s Director of Facilities who was supportive and cooperative!), drove all over from Stamford, CT, to Brooklyn to pick up preservation supplies needed by the company, which also included huge 2ft x 12ft tubes on which to roll the murals. And then once the work began, they supervised all of the work every day at the high school.

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