Ukraine presses counteroffensive as flood evacuations continue in south     Greta Thunberg holds last school strike as climate activist graduates     Ukraine live briefing: Zelensky claims ‘step-by-step’ progress in counteroffensive; Putin says Kyiv ‘hasn’t achieved its goals’      Ukraine’s counteroffensive is underway. Here’s what’s at stake.     An isolated crocodile laid eggs. She impregnated herself, scientists say.     India’s girl wrestlers watch in dismay as their heroes are crushed by police     A Russia-Ukraine timeline: Key moments, from attack on Kyiv to counteroffensive     Sudan’s rapid decline into war evokes Somalia’s catastrophic collapse     The potent U.S. arsenal for Ukraine’s counteroffensive     Ukraine presses counteroffensive as flood evacuations continue in south     Greta Thunberg holds last school strike as climate activist graduates     Ukraine live briefing: Zelensky claims ‘step-by-step’ progress in counteroffensive; Putin says Kyiv ‘hasn’t achieved its goals’      Ukraine’s counteroffensive is underway. Here’s what’s at stake.     An isolated crocodile laid eggs. She impregnated herself, scientists say.     India’s girl wrestlers watch in dismay as their heroes are crushed by police     A Russia-Ukraine timeline: Key moments, from attack on Kyiv to counteroffensive     Sudan’s rapid decline into war evokes Somalia’s catastrophic collapse     The potent U.S. arsenal for Ukraine’s counteroffensive     
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The ARTSCENE/Theatre: In Oneonta… ‘ActALot’ …Is Always On Marquee

the ARTSCENE/Theatre

In Oneonta…

‘ActALot’

…Is Always On Marquee

Tom Pondolfino evokes laughs in a skit from “Spamalot,” performed by Orpheus Theatre Feb. 21-23 at Foothills. (Ian Austin/AllOTSEGO.com)

6 Troupes In County

– That’s Entertainment

By LIBBY CUDMORE • Special to www.AllOTSEGO.com

Brooke Tallman-Burkett and Steve Dillon rehearse for “Venus in Fur,” on stage at Foothills March 13-15.

ONEONTA – Whether you’re in the mood for a musical, a classic play, something modern or a show to laugh at, there’s a theater company for you.

“This area has always been so rich in culture,” said Steve Dillon, founder of Bigger Boat Productions. “And there’s enough talent to sustain all the groups. Whatever kind of show you want to do, there’s an audience for it.”

There are six community theater companies in Otsego County, with four in the city of Oneonta, and one each in Cooperstown and Worcester, producing a variety of live theater options year round. They are:

►Bigger Boat Productions, contemporary comedy, classic drama
►Bold Theatrics, contemporary drama
►Orpheus Theater, Broadway-style musicals
►Stuff of Dreams Productions, classic drama, thrillers, comedy
►Glimmer Globe Theater, Cooperstown, Shakespeare, classic drama. (See separate article, B1)
►Catskill Community Players, Worcester, comedy, murder mysteries, drama

Let’s take a look, from oldest to youngest.

Founded in 1974, the Catskill Community Players is Otsego County’s oldest local theater company, performing musicals and plays. “The story is that at the first meeting, the school where they were supposed to have it was locked,” said Diana Friedell, president and producer since 2010. “And instead they met in a Volkswagen!”

The Players produce two plays a year: in October, Noel Coward’s “Blithe Spirit; upcoming May 15-17 is Thornton Wilder’s “Our Town.”
“We try to pick something that will make people laugh,” said Friedell. “Or we want to put on a show with a meaning and a message.”

The troupe also partners with other community businesses, including offering dinner and lodging packages at the Worcester Inn, and have moved their productions to the Weiting Theater.

“We were at the South Kortright school and produced shows at SUNY Delhi,” she said. “The Weiting is a historic theater, and we want to support that mission, get the word out to bring an audience into that theater.”

Friedell got involved when she moved to the area in 1983, and also did shows with Orpheus. “I remember seeing an ad about a new organization at the high school,” she said. “I called up and said that I wanted to be part of it!”

Reginald Brunson, Hobart, invites audiences to see the gruesome “Elephant Man” in Bigger Boats’ debut performance in 2016 at Foothills.

Founded in 1984, Orpheus Theatre does three Broadway-style musicals a year; most recently, it performed “Spamalot” at Foothills Performing Arts Center and will perform “Big: The Musical” May 1-3.

“We try to keep two of the shows family-friendly,” said Fred Ploutz Jr., board president. “And then the third show can a little more geared towards a certain audience.”

In addition to main stage productions, Orpheus has also expanded its children’s offerings, including the Starstruck Players group and several children’s workshop. “It’s the bedrock of the company,” he said. “We’ve grown from 23 kids to 55.”

So much so that the recent performance of “Frozen Jr.” had to be moved to the Foothills main stage, outgrowing the production building.

In addition to the Starstruck Players shows, Orpheus also offers a one-week winter-break workshop, and summer workshops for kids and teenagers.

“Some of them come in and they’ve never been fitted with a mic or been under stage lights,” said Ploutz. “So we’re able to give them a full stage show experience, and they leave with that under their belt.”

Though Orpheus had done a straight play every year, companies like Bigger Boat, Stuff of Dreams and Bold Theatrics have begun staging those, allowing Orpheus to focus on musicals. “We’re not trying to step on anyone’s toes,” said Ploutz. “We all work together to make sure we’re not on each other’s performance dates.”

“Spamalot” had a cast of 35, and many of the actors belong to other companies as well.

“Each show we bring in more people, and they become part of that family,” said Dillon. “Right now, I think we have about 65 people who have been in our productions.”

Dillon had been part of the Oneonta Theatre Stage Players, following the theatre’s closing, he launched Bigger Boat in 2016 with “The Elephant Man.”

“I was only thinking of that show,” he said. “When we were applying for the show license, we had to have a production company. I came up with Bigger Boat, from the most famous line in ‘Jaws’.” (On seeing the monster shark for the first time, Police Chief Martin Brody – Roy Scheider – said, “You’re gonna need a bigger boat.”)

At the same time, Stevens, who performed in “The Elephant Man,” was thinking about shows he wanted to put on, and formed Stuff of Dreams to produce Neil Simon’s “Last of the Red Hot Lovers” later that year.

“We got together and decided to split a season,” said Dillon. “We always operate together, but we can each produce shows on our own. ”

“Our focus is on classic Broadway-style theater,” said Stevens. “We do some contemporary, but we like to have a good balance of comedy, thrillers and drama.”

Stuff of Dreams produced “Harvey” in January, and a combined production of “One Flew Over The Cuckoo’s Nest” last October was such a success a third weekend of shows was added. “Anything with Reginald Brunson in it is huge,” said Dillon. “He’ll bring the whole town of Hobart out to see him.”

Bigger Boat is also collaborating with Bold Theatrics to produce David Ives “Venus in Fur,” starring Dillon and Bold founder Brooke Tallman-Birkett, March 13-15.

“We wanted to explore shows with more grit,” she said. “We feel theater is a way to perpetuate dialogue about important issues, including homophobia and bullying.”

They debuted with “Heathers: the Musical” in 2017, and also performed “Angels in America” and “Matilda,” as well as performances at Pridefest.

“We just want to do something completely different,” she said.

‘Crucible’ Cast In Dress Rehearsals This Week At NYSHA Amphitheater

‘Crucible’ Cast In Dress Rehearsals

This Week At NYSHA Amphitheater

The family's maid, Mary Warren (Anna Gaston), is pressured by John Proctor (Michael Henrici) and his wife, Elizabeth (Danielle Henrici) by
The family’s maid, Mary Warren (Anna Gaston), is pressured by John Proctor (Michael Henrici) and his wife, Elizabeth (Danielle Henrici) to testify to the lies of a group of girls whose allegations were at the center of the Salem witch trials.  (Jim Kevlin/AllOTSEGO.com)
 Grace D'Augustine, a member of the Glimmer Globe Theatre's cast, snacks on – what else?–  Cape Cod potato chips as she awaits her next lines at this afternoon's rehearsal.
Grace D’Augustine, a member of the Glimmer Globe Theatre’s cast, snacks on – what else?–  Cape Cod potato chips as she awaits her next lines at this afternoon’s rehearsal.

COOPERSTOWN – Rehearsals on underway daily on Glimmerglass’ shores leading up to the Wednesday, July 6, opening of Arthur Miller’s 1953 “The Crucible,” designed for opera and theater fans to experience alongside Robert Ward’s 1962 Pulitzer Prize-winning opera of the same name that opens July 23 at the Glimmerglass Festival.

The Glimmer Globe Theatre will be presenting at 7 p.m. every Wednesday of July and August at the Lucy Hamilton Amphitheater, behind The Fenimore Art Museum. Tickets may be purchased online or by calling 547-1461.

Miller’s original play on the Salem witch trials echoed the era of McCarthyism in which it was produced.

 

Otsego Lakeside Setting Makes Macbeth ‘Exceptionally Evocative’

Otsego Lakeside Setting Makes

Macbeth ‘Exceptionally Evocative’

Mike Henrici
Mike Henrici, right, brings “swagger and bravado” to the starring role in the Glimmer Globe Theatre’s “Macbeth.”  (NYSHA photo)

By LIBBY CUDMORE • AllOTSEGO.com Theater Review

COOPERSTOWN – Is there any venue better for seeing Shakespeare than outside?  The Fenimore Art Museum’s newly opened Lucy B. Hamilton Amphitheater seems almost custom-built for the Glimmer Globe Theatre Company’s production of “Macbeth,” with iron bars, a smooth slate stage and carved hillside for seating.

Performed Aug. 5, 12 and 19, and directed by Austin McCaslin-Doyle, who also leant his directorial skills to White Knuckle Production’s “Dial M For Murder” earlier this summer at the Farmers’ Museum, the show was designed to complement the Glimmerglass Opera’s production of the “Macbeth” opera.

Michael Henrici played the titular Macbeth with swagger and bravado that quickly turns to increasing madness. Henrici played opposite his wife, Danielle Henrici, as Lady Macbeth.  Visibly pregnant with the couple’s first child, her delivery of the line “I have given suck, and know How tender ’tis to love the babe that milks me. I would, while it was smiling in my face, have plucked my nipple from his boneless gums and dashed the brains out, had I so sworn as you have done to this,” is perhaps the most chilling moment of the play.

Gary Koutnik, as always, brings a gravitas to the stage, this time playing the ill-fated Duncan.  His sympathetic, fatherly portrayal makes Macbeth’s decision to murder him for the throne that much more ill-conceived.

Avalon McCaskin-Doyle, playing the inebriated Porter (among other roles) in the moments just before Duncan’s body is discovered, was a standout, adding a great bit of physical comedy to an otherwise dark scene.

Chris Perrotti, fight coordinator, created several exceptional fight scenes, no small feat given the constraints of the small stage.  The costumes were traditional to the time period and the swords were metal, giving a satisfying clash with each blow.

And although the night falling over the lake was exceptionally evocative, especially aided by the clear night and the citronella torches, it did cause some minor issues with actually seeing the action on stage.  After intermission, the stage lights came on, giving quick remedy to this issue.  Overall, a strong ending to Otsego’s thriving summer theater scene.

Cudmore is a reporter for The Freeman’s Journal, Hometown Oneonta and www.allotsego.com

 

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